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After a morning warm-up, we will play consort works from the Renaissance and early Baroque for four to six viols, with some of the pieces being sent to the course participants in advance for preparation. This enables intensive work on more demanding repertoire. Depending on the number of participants, there is either a six-part consort or two four- to five-part consorts, which are taught alternately. The tuning pitch is a'=415 Hz. A workshop on a viol-specific topic is offered between the course times. If you have any questions about the course, please contact the course leader: t.hirsch@arcimboldo.ch. Registration to the IAM: by e-mail info@iam-ev.de, by fax 05461.99 63 10 or via the website www.iam-ev.de. When registering, please indicate which viol(s) you play and which you will bring with you. It is also important for the selection of pieces to know which clefs you can read and how you rate your sight-reading (medium/good/very good). When registering, please let us know which room category you would like (single room with shower/WC or with shared bathroom, double room if applicable). . Hirsch, Thilo. Thilo Hirsch studied viola da gamba and singing at the Schola Cantorum Basiliensis (SCB). Engaged by numerous international ensembles as a soloist for concerts, CD and radio recordings, concert tours and tours have already taken him throughout Europe, to North Africa, North and South America and Japan. From 2007 to 2015, Thilo Hirsch was co-project manager of various SCB National Fund research projects involving the reconstruction of historical instruments in connection with their repertoire. Since 2019, he has been leading an SNSF research project at the Bern University of the Arts on the topic: "Rabab & Rebec - Research into fur-covered string instruments of the late Middle Ages and early Renaissance and their reconstruction". He has also been artistic director of the ensemble arcimboldo (Basel) since 1991.