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Four bodies defy the colonial violence that has shaped them over the years: Soa Ratsifandrihana's new work choreographically and musically traces the diverse narratives of life in the diaspora. With a guitarist and two performers, she embarks on a journey between Madagascar and various continents in search of the history of origin, movement, memory and her legacy. In Fampitaha, fampita, fampitàna - which roughly translates as comparison, tradition and competition - personal and collective experiences of the diaspora are woven into a multi-layered narrative